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Hartmut Pilch wrote:

If programs are to be "protected as literary works", that indeed should
mean that the scope of "protection" is determined by copyright, and not by
a cumulation of copyright with something else.  Copyright determines that
ideas are excluded.  They can not therefore be included by means of
patents.

When you stare at a word long enough, it's meaning dissolves. Maybe I have stared at the word "idea" too long, because I don't really understand what it means.

Literary works and inventions are different kinds of achievements, right?

A materialisation of a literary work is (e.g.) a book, right?

A materialisation of an invention is (e.g.) an industrial process, right?

The "protection" is a set of rules defining what other people or players can not do with a materialisation of an achievement, right?


I can't see where the word "idea" would make anything clearer or easier to understand here.

//Erik


 literary work is a book, right?

.







I think the argument about "industrial application" is not quite tenable.
Even if you reduce "industrial" to "commercial", as abusively done by EPO
(it should imply that material goods are brought to the market), you still
have a meaning of usefulness in there (functional vs esthetic, "causally
overseeable result" from the technicity definition).  That is why
comparing software with music may not be convincing to the reader if not
done with care.  People intuitively feel the difference between functional
and esthetic, while they may not grasp the difference between mind and
matter so clearly.





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